MANDRAKE IN ATEŞ (1937-38)

In an earlier post in this blog, I had covered the debut of Mandrake the Magician strips in Turkey in 1935 in an actuality magazine for grown-ups. This post will cover Mandrake's second appearance in Turkey which marks its first appearance in a Turkish publication designed for children. The publication in question was the weekly Ateş [Fire] published by Türkiye Yayınevi, a leading publisher of popular magazines in Turkey in the pre-war era. Mandrake the Magician began to be serialized as 'Mandrake - Şimşek Adam [Mandrake - The Lighting Man]' in two pages each issue format in Ateş with no. 14 (dated Feb. 2nd, 1937), joining two other comics series:The Mandrake adventure serialized in this first series of Ateş was his first-ever daily strip continuity originally from 1934, where he meets his arch-nemesis Cobra, which had already been serialized in Turkey in Büyük Gazete in 1935. However, while the former publication had began its Mandrake series with a perfect reprint (I don't have all the issues of BG with Mandrake, so I can not confirm if it continued that way to the end), Ateş presented it in an abridged form, omitting several panels, even entire strips.
Mandrake also appeared in the cover of no. 36, the first-ever appearance of the character on the cover of a Turkish publication:
The cover art is by Ercümend Kalmuk (1909-1971), a staff illustrator for Türkiye Yayınları.
Mandrake's first adventure ended in no. 52 which was also the last issue of the first series of Ateş. The magazine enlarged its size and started new enumeration soon afterwards. Mandrake was the only comics in this new series of Ateş and it was serialized on the back covers. The Mandrake adventures serialized in the second series of Ateş are 'Gizli Oyun Yeri [The Secret Game Place]', the 2nd daily strip continuity from its original run, where Mandrake meets his future-lover Narda, 'Kızıl Geçitteki Dev [The Giant At The Red Pass]', the 3rd daily strip continuity, and 'Kurtadam [The Werewolf]', the 5th daily strip continuity. For some reason, Ateş had skipped the 4th daily strip continuity where Mandrake meets the Clay Camel, who would be one of the recurrant villains, and is also temporarily re-united with Narda.
Following Ateş, Mandrake's next appearance in Turkey would be in Türkiye Yayınevi's full-fledged comics weekly 1001 Roman, but that will be covered in the next post in this blog.

TIGER TIM

Tiger Tim holds the record for being the British comics character with the longest publication. It was created in 1904 (*) by Julius Stafford Baker (1869-1961) for the Daily Mirror newspaper at the detailed request of an editor on behalf of the publisher. The model which Baker was asked to emulate was 'Jungle Jinks' which had appeared in 1898 in a supplement of a women's magazine and boosted its sales. The commissioned strip debutted on April 11st, 1904. Tiger Tim (the tentative name suggested to the artist was "Tommy Tiger") is one of the mischievous kids in a kindergarten of humanized animals. Daily Mirror's children's corner did not generate much interest, but Tiger Tim and his pals re-appeared later that year in The Monthly Playbox, the children's supplement of a magazine called The World and His Wife. In 1914, they began to be featured on the covers of The Rainbow, the pioneer British comics magazine targeted for children, from its first issue onwards. The above scan is from no. 1234, dated Oct. 9th, 1937. By this time, Baker had long been replaced by other artists. I have also seen the cover of no. 1 from 1914 and Baker's work may or may not have been up to the standarts of its own era but, while the art has improved from 1914 to the above sample in 1937, I still find it to be relatively more stiff compared to the best humanized animals comic art of the pre-war era, esp. compared to original Disney material which had already landed in the British market in 1936 with the launching of Mickey Mouse Weekly in 1936. Nevertheless, despite looking somewhat out-dated, it eludes a naive charm. Tiger Tim and his pals are also featured in the editor's corner of this issue:... and there is also a herald for an upcoming give-away from sister magazine Tiger Tim's Weekly (from 1919 onwards, Tiger Tim had also acquired its own comics magazine in addition to The Rainbow, initially titled as Tiger Tim's Tales):Tiger Tim's Weekly would continue to be published till 1940 and The Rainbow till 1956, but Tiger Tim would appear in other British children's magazines till mid-1980s.

Sources: Denis Gifford, The International Book of Comics (WHSmith, 1988) and The Complete Catalogue of British Comics (Webb & Bower, Exeter: 1985).

(*) Most online sources give an even earlier debut date for Tiger Tim, but I have stuck to Gifford's account. Other sources might be confusing 'Jungle Jinx', which (according to Gifford) was the model for Tiger Tim and his pals with actual Tiger Tim. If anyone knows any better, please let us know.

SOME STRIPS FROM RAINBOW ISSUE FROM 1937

Recently, when received an old issue of Mickey Mouse Weekly which I had bought off ebay, I was delighted to see that the kind seller had also enclosed an incomplete and hence unsellable copy of a pre-war issue (no. 1234, dated Oct. 9th, 1937) of The Rainbow, the pioneer British comics magazine for children, as a surprise bonus! The cover feature on The Rainbow is Tiger Tim, but I intend to cover that character in the next post in this blog, so here are scans of other strips from the copy I received. The above scan is from page 2 (the reverse of the front cover) and the below one from page 9:Judging by the contents notice on the cover, I gather that two more adventure continuity strips were featured in the four central pages missing from the copy I received, 'Chums of the Sea' and 'Secret of the Storm Castle', in addition to 'Full Speed Ahead'. And below is the back cover:I could find no info anywhere on these strips, so if anyone knows anything about them, please let us know.

KING OF THE ROYAL MOUNTED SEES "WHAT NO WHITE MAN CAN SEE AND LIVE"

'Mystery of Little Snake', serialized in Britain's Mickey Mouse Weekly no.'s 152-161 in 1938-1939, is my most favorite 'King of the Royal Mounted' adventure. It involves the attempt of a bunch of baddies to lay their hands on a loot of gold which a tribe of natives are believed to be hiding in the secret burial ground of reserved for their chiefs. For this end, they murder the current chief of the tribe and plan to discover the secret location by trailing his son. The new chief is perfectly aware of their intentions and wisely hopes to use it as an opportunity to avenge his father... Thus, a tense journey starts as three groups, the native carrying the corpse of his father, the baddies, and King accompanied by 'kid' (the little brother of his lover) travel through the snowy terrains towards a destination unknown to all except the native to reach their fate where death is certain to meet some or all of them.
The climax is reached as the baddies follow the chief into a cave he had went in, effectively passing the point of no return in this wonderfully colored panel:
King breaks into the scene, resulting in not only a confrontation with the baddies, but a stand-of with the chief:Btw, note the artist's unfortunate blunder as King's pistol in the panel on the left above disappears on the panel on the right, only to re-appear in the panel on the left below:
Despite this artistic blunder, the face-off between King and the native is highly dramatic as both face the burden of obeying their own laws which necessiates unwillingly confronting each other.

KING OF THE ROYAL MOUNTED AND THE CIRCUS HORRORS

The earlier adventures of King of the Royal Mounted published in Britain's Mickey Mouse Weekly (maybe I should paraphrase that as those published earlier in MMW as I cannot confirm whether the British publication followed the sequence of the adventuıres as they were originally run in the US newspapers) had a decidedly authentic tone as they often involved ordinary trappers and other locals of the Canadian countryside in their daily lives and were set in mountainous lanscapes. Eventually, the adventures took a turn in which the plots became more familiar comic-strip fare, such as 'The Terror of the Big Top' serialized in MMW no.'s 174-182 in 1939 where Sgt. King investigates a murder in a circus. The above panel is from the installement in no. 175, involving a dark, cloaked figure which had become a not-so-rare visual motif in the comics of the 1930s in the wake of The Bat Whispers (1930); below is a still from this mystery-thriller movie (whose Bat character was also an inspiration for the Batman):And the below sequence from the installement in the next issue involves the 'murder of a subject who is just about to disclose the identity of the culprit' theme so often seen in comics:The trapeze act in the below sequence from the installement in no. 178 provides an excuse for the first and only instance where some female flesh is displayed in any King of the Royal Mountain adventure that I've seen:
And the below segment from the installement in the next issue makes good opportunity of the circus setting for a tigers-set-on-loose sequence:

KING OF THE ROYAL MOUNTED AND THE PERILS OF FILMMAKING

No, this post is not about any of the film adaptations of 'King of the Royal Mounted', but rather about an adventure in which Sgt. King, upon the request of his girlfriend Betty Blake who has taken up the job of a scriptgirl, investigates suspiciously frequent accidents occuring during the shooting of a film. Titled 'Mystery on Location', it was serialized in Britain's Mickey Mouse Weekly no.'s 183-193 in 1939 (I don't know the date of its original run in the US newspapers); the above scan is from MMW no. 187. King's suspicions zero in on none other than the director himself, as in the below sequence from no.'s 189-190 whose coloring I especially like:The relatively advanced film making equipment on display in 'Mystery on Location' suggests an early 20th century time period for the strip.
'Mystery on Location' was the last 'King of the Royal Mounted' adventure serialized in MMW during the strip's consecutive run in this British magazine in 1936-39. Initially, the adventurues carried no specific titles of their own and were run under the generic title of 'King of the Royal Mounted by Zane Grey' from the start in no. 45 till no. 99. Here are the on-print titles of the remaining adventures and the issue numbers they were carried on, and the years these issue are from:
[The Mystery of the Sunken Treasure Ship (*)] # 100-109 (1938)
The Mystery of the Rush River # 110-131 (**) (1938)
The Helium Mine Mystery # 132-141 (1938)
Trouble At Skogen Ridge Ranch # 142-151 (1938)
Mystery of Little Snake (***) # 152-161 (1938-1939)
The History of the Synthetic Diamond Formula # 162-173 (1939)
The Terror of the Big Top # 174-182 (1939)
Mystery On Location # 183-193 (1939)
The Wild Man of the Wilderness 214-22? (1940)
(*) Actually, this title was given only at the end of #99 as the title of the forthcoming adventure, but # 100-109 carried only the generic title.
(**) 'The Mystery of the Rush River' actually consists of two consecutive adventures.
(***) The opening of 'Mystery of Little Snake' refers to the preceeding adventure as 'Border Terror', so at this point, MMW apparently broke out of sequence from the strip's original run.

'THE WILD MAN OF THE WILDERNESS'

Above scan (broken into two due to the size of my scanner), featuring the first installment of a King of the Royal Mounted adventure titled 'The Wild Man of the Wilderness', is from the color central pages of the no. 214 (dated March 9th, 1940) of Britain's Mickey Mouse Weekly. 'The Wild Man of the Wilderness' concerns a mysterious title character stealing pelts of trappers. The art is pretty good with impressive splash panels and some decent rendering of good-looking women, as in the below panels from no. 216:

I also like how the utilization of a windy and snowy setting contributes to the establishment of a moody atmosphere in the below panels from no. 219:

And below is a nice action sequence from no. 222:

I am not certain about the artist working on 'The Wild Man of the Wilderness'. The art chores of 'King of the Royal Mounted' had passed onto Jim Gary from Charles Flanders in 1939 and 'The Wild Man of the Wilderness' was serialized in MMW early in 1940, but this British magazine was probably running the American strip with some delay from its original run in the US newspapers, so its original run might have corresponded with the tenures of either Flanders or Gary.
'King of the Royal Mounted' is credited to famous Western writer Zane Grey, but Zane's byline was used for publicity purposes and the actual scriptwriter(s) of the strip are anonymous. The character is widely regarded as the brainchild of Stephen Slesinger, a literary agent who was one of the pioneers of merchandising popular literary characters. Eventually, Slesinger also conceived the idea of creating original characters and the Canadian mounted lawman King of the Royal Mounted was born. The Sunday strip kicked off in Feb. 17th, 1935 and the daily less than a year later; the original artist was Allen Dean who would eventually be replaced by Flanders. The strip would be popular enough to be adapted into the silver screen as a feature movie in 1936 and as serials in the early 1940s. It would also spin-off comics books headlining the title character who would remain in syndication till the 1950s.

DEBUT OF BUCK RYAN (1937)

Above scan is of the first strip, dating from March 22nd, 1937, of 'Buck Ryan', a long-running British private detective serial, as reprinted in Buck Ryan volume 1: A Lady Vanishes by Newspaper Daily Comic Strip Library.
Buck Ryan was originally ran in Daily Mail, the British newspaper which pioneered British newspaper strips. Launched in 1903 by Alfred Harmsworth, the British media mogul who was also responsible for the boom of British comics magazines, Daily Mail had been running strips since 1904 including 'Mrs Hippo's Kindergarten', a historically important strip as Tiger Tim, soon to be a major British juvenile comics hero, made his first appearance there. However, the full-fledged proliferation of British strips in DM would occur in the 1930s and 'Buck Ryan' was created in that period. Writer Don Freeman and artist Jack Monk had initially created an Edgar Wallace adaptation strip, but reportedly had to to drop that one due to copyrights issues and created 'Buck Ryan' as a replacement. 'Buck Ryan' would be successful enough to run until 1962.
The first 'Buck Ryan' continuity, titled as 'A Lady Vanishes' in the reprint volume cover, has mediocre art and acceptable but undistiguished narrative about a kidnapping scheme. Visually the most interesting sequence is in the below strips:
However, the great visual potentials of an opium den setting is simply unexploited and wasted:

The same setting, on the other hand, is utilized for the utterance of some racially degrading jargon:

A noteworthy aspect of 'A Lady Vanishes' is the presence of remarkably brutal instances of violence against women, far more shocking than found in American mainstream strips of the same era as far as I am aware, one of which is in the below strip:
There are a few instances of pretty decent action sequences as well, such as the below strip:
There is also a relatively high body count:
I've also purchased vol. 9 of NDCSL's Buck Ryan reprint series and can attest that the strip had improved in terms of both art and story in two years from its inception. At some point in the future, I hope to post about that extremely interesting war-time (and war-related) continuity titled 'The Mystery of the Silent Bomber' as well. Artist Jack Monk would stay on board 'Buck Ryan' till the very end, but writer Don Freeman would eventually be replaced by others. It should be pointed out that this British comics writer (1903-72) should not be confused with an American children's books author and illustrator with the same name. The British Freeman would also contribute scripts to other leading Daily Mail strips such as 'Jane' and 'Garth'.
Newspaper Daily Comic Strip Library's reprint series appear to be computer printouts, but are quite acceptable in quality and the producers must be congragulated for the effort they put into compiling them. As I'd noted in an earlier post, these are the only available English-language reprints of Buck Ryan.

SMOKING MARMADUKE STRIP (1939)

Above scan of Basil Reynolds' Marmaduke strip from no. 187 (dated Sept. 2nd, 1939) of Britain's Mickey Mouse Weekly is a testament to times of a different attitude towards smoking...

"UGH!" 'PUSSYFOOT THE REDSKIN' (1922)

Above scans are from the central pages of the no. 1653 (dated Jan. 14th, 1922) and no. 1656 (dated Feb. 4th, 1922) of the British comics magazine Comic Cuts, featuring the strip 'Pussyfoot the Redskin' by an unknown artist. It is the earliest comic strip that I've come across which headlines an American native and while the character's name might not sound flattering, it is noteworthy that he outwits the whites with his intelligence in these two samples. I cannot find any info on this interesting strip, so if anyone knows anything about it, please let us know.

THE COMIC CUTS COLONY

Above scan is from the back cover of the no. 1653 (dated Jan. 14th, 1922) of the British comics magazine Comic Cuts and the below one from no. 1656 (dated Feb. 4th, 1922):
According to Denis Gifford (The International Book of Comics, W H Smith Exclusive Books, London: 1988), the Comic Cuts Colony had debuted in 1894 and was created by one Frank Wilkinson, about whom I cannot find any info anywhere. While I am admittedly reluctant to speak positively about it, the art is quite high-calibre and the humour is nowhere as repugnant as similar fare from most other racial-stereotying comics.

PERCY COCKING IN COMIC CUTS (1922)

Recently, I had a chance to get two 1922 issues of Britain's pioneering comics magazine Comic Cuts from ebay (for an amazingly low price of app. 1 pounds each!). Comic Cuts, the first magazine to use the word "comic" in its title, was started by Alfred Harmswoth in 1890, and priced at 1/2 penny, half the price of similar magazines like Funny Folks, kicked off the boom of comics magazines in Britain. Above scan is of the cover of no. 1653 (dated Jan. 14th, 1922), featuring 'The Side-Splitting Adventures of Jolly Tom, the Merry Menagerie Man' by British comics artist Percy Cocking (1881-1964) who had been drawing the exploits of Tom in Comic Cuts since 1910. I find his art quite pleasing and high-calibre 'though the title character's twin nemesises are clearly modeled on Katzenjammer Kids. The back cover of this issue includes another strip by Cocking:

This strip is highly innovative in its utilization of the depiction of each flat as if a panel within the panels. Cocking's Mulberry Flattites had debutted in Comic Cuts in 1906. Cocking, a staffer for Harmsworth's Amalgamated Press (today's Fleetway), is better known as the artist who took over the hugely popular series 'Weary Willie and Tired Tim' created by the highly influential Tom Browne in 1896 for Illustrated Chips and continued it for more than four decades till the magazine folded in 1953.

SKIT, SKAT AND THE CAPTAIN BY WILFRED HAUGHTON

Above scan is of a detail from the cover of no. 39 (dated Oct. 31st, 1939) of Britain's Mickey Mouse Weekly featuring the non-Disneyic comics characters Skit, Skat and the Captain created by the British comics artist Basil Reynolds for MMW alongside regular Disneyic characters in an illustration by MMW cover artist Wilfred Haugton. The full image of the cover is below:
Later in 1936, Haughton, who had been drawing the covers of MMW since its inception, also began a series titled 'The De(f)tective Agency!' featuring Goofy and Toby Tortoise as private detectives. Reynolds' characters made a cameo appearance in this series as well, in no. 50 (Jan. 16th, 1937):