Showing posts with label Türkiye yayınevi. Show all posts
Showing posts with label Türkiye yayınevi. Show all posts

Tuesday, August 9, 2011

MANDRAKE IN 1001 ROMAN SPECIAL ISSUES (1940-46)


Between 1940-46, Türkiye Yayınevi published monthly "special issues" of 1001 Roman alongside the weekly comics magazine of the same title. Unlike the tabloid-format weekly magazine, these issues were smaller in size and each issue headlined a complete adventure of one comics character. Mandrake was featured in eight of these monthly issues, beginning with no. 1 (Jan. 1940). The Mandrake adventure in no. 1 is called 'Hindistanda [In India]' and was originally serialized in American Sunday newspapers in 1935 (it was the 2nd Mandrake adventure ran in the Sunday comics format), but the Turkish edition is slightly abridged.
The first three issues of the "special issue" series included a shorter, second comics story of a different character alonside the main featured character and Mandrake was featured in this way in no. 2 (Feb. 1940), which was a Lone Ranger issue, as well. Titled as 'Haydutlar kralına karşı [Against the King of the Bandits]', this filler comics is the first-ever Mandrake adventure originally ran in the Sunday newspapers, but the mere five-pages long Turkish edition reprints its conclusion only (thanks to Marko Davidovic for leading me to this blog post for comparison).
Below is a list of the remaining Mandrake issues from the 1001 Roman special issues:
#10 (Oct. 1940): 'Tekinsiz Evin Esrarı [The Mystery of the Uncanny House]', originally daily strip continuity #13 (1938); slightly abridged
#16 (Apr. 1941): 'Merihli İnsanlar [Martian People]', originally daily strip continuity #16 (1938); slightly abridged

#23 (Nov. 1941 [on-print date: Nov. "1940", a typo): 'Zehirli Kılıç [The Poisened Sword]', originally daily strip continuity #14 (1938); slightly abridged
#29 (May. 1942): 'Sudan Şahı [The Shah of Sudan]', originally daily strip continuity #7 (1936); starts half-way through the original adventure and the rest still slightly abridged
#69 (Sept. 1945): untitled, originally Sunday continuity #8 (1938); starts half-way through the original adventure

#75 (Mar. 1946*): untitled, originally Sunday continuity #13 (1940)
* last issue of the series

MANDRAKE IN 1001 ROMAN (1939-46)


In 1939, shortly before the outbreak of the 2nd World War, Tahsin Demiray's Türkiye Yayınevi, one of the leading pulishers of popular magazines in Turkey, launched the weekly 1001 Roman, Turkey's first comics magazine modeled on the European comics format (see this earlier post on a general coverage of this magazine). Mandrake the Magician soon joined the roster of comic strips serialized in this hugely popular magazine, beginning with no. 18 (dated Nov. 6th, 1939), as 'Mandrake - Sihirbazlar Kralı [Mandrake - The King of the Magicians]', a byline which would stuck with the character so much in Turkey that when, decades later, a weekly Mandrake comics would be launched in 1974, the logo on the first pages would once again utilize it.
The first two Mandrake adventures serialized in 1001 Roman were from American Sunday newspaper serials, reprinted in b&w here, but most of the subsequent adventures originated from daily strips. Between no.'s 87-108, Mandrake was published in the back covers and hence in color. With no. 197, after the end of the adventure where Mandrake faces his arch-nemesis Cobra for the second time (in terms of the strip's original run in US newspapers), 1001 Roman started re-running earlier adventures previously serialized in Ateş, beginning with Mandrake's first-ever adventure where he meets Cobra for the first time. So, the readers of 1001 Roman were presented with Mandrake's first encounter with Cobra after they were presented with the second encounter... It should also be noted that 1001 Roman, in the same manner as Ateş had done six years ago, presented Mandrake's first-ever adventure in an abridged form, omitting several panels, but the panels omitted in 1001 Roman were not same as those in Ateş, so 1001 Roman had not simply reprinted Ateş's edition; in anycase, the Turkish translation and the lettering were also different:
1001 Roman halted serializing Mandrake in 1945 after re-running three of the four adventures previously serialized in Ateş. After about a year of hiatus, one more Mandrake adventure was serialized in 1946, ending with the cessation of the publication of the weekly with no. 350. The final Mandrake adventure serialized in 1001 Roman was a daily strip continuity, originally run in US newspapers in 1938, where Mandrake visits Hollywood, but the Turkish editors began to serialize this continuity half-way through its first sub-plot and ended half-way through its second sub-plot at a convenient point when Mandrake teaches a spoiled child star some manners, before the kid gets kidnapped which was actually the main plot point of the narrative.
Here is a complete list of Mandrake adventures serialized in this Turkish comics weekly with the no.'s in 1001 Roman (and the years these issues were published), Turkish title [and translation], the conventional code referring to the sequence of American Sunday/daily strips (and the years they were originally ran in the US newspapers):
#18-36 (1939-40) Cüceler Ülkesinde [In the Land of the Midgets] s3 (1935-36)
#37-54 (1940) Gelecekte Bir Seyahat [A Voyage in the Future] s5 (1936-37)
#55-75 (1940) untitled d21 (1940)
#76-95 (1940-41) Sirkte Yangın [Fire at the Circus] s4 (1936)
#96-110 (1941) "Atmaca" Yarış Atı ["Hawk" the Race Horse] d10/2nd subplot (1937-38)
#111-132 (1941-1942) untitled d15 (1938)
#133-166 (1942) Meçhul Dünyalarda [In Unknown Worlds] d8 (1936-37)
#167-196 (1942-43) Kobra'ya Karşı [Against the Cobra] d9 (1937)
#197-246 (1943-44) Esrarengiz Adam [The Mysterious Man] d1 (1934)
#247-274 (1944) Dar Geçit [The Narrow Pass] d3 (1935)
#275-296 (1944-45) Gizli Oyun Yeri [The Secret Game Place] d2 (1934-35)
#342-350 (1946) untitled d11/only from 3-22 to 4-20 (1938)
Between 1940-46, Türkiye Yayınevi also published monthly 1001 Roman "special issues", and Mandrake were featured in several of them, but that will be covered in the next post in this blog.

Sunday, August 7, 2011

MANDRAKE IN ATEŞ (1937-38)

In an earlier post in this blog, I had covered the debut of Mandrake the Magician strips in Turkey in 1935 in an actuality magazine for grown-ups. This post will cover Mandrake's second appearance in Turkey which marks its first appearance in a Turkish publication designed for children. The publication in question was the weekly Ateş [Fire] published by Türkiye Yayınevi, a leading publisher of popular magazines in Turkey in the pre-war era. Mandrake the Magician began to be serialized as 'Mandrake - Şimşek Adam [Mandrake - The Lighting Man]' in two pages each issue format in Ateş with no. 14 (dated Feb. 2nd, 1937), joining two other comics series:The Mandrake adventure serialized in this first series of Ateş was his first-ever daily strip continuity originally from 1934, where he meets his arch-nemesis Cobra, which had already been serialized in Turkey in Büyük Gazete in 1935. However, while the former publication had began its Mandrake series with a perfect reprint (I don't have all the issues of BG with Mandrake, so I can not confirm if it continued that way to the end), Ateş presented it in an abridged form, omitting several panels, even entire strips.
Mandrake also appeared in the cover of no. 36, the first-ever appearance of the character on the cover of a Turkish publication:
The cover art is by Ercümend Kalmuk (1909-1971), a staff illustrator for Türkiye Yayınları.
Mandrake's first adventure ended in no. 52 which was also the last issue of the first series of Ateş. The magazine enlarged its size and started new enumeration soon afterwards. Mandrake was the only comics in this new series of Ateş and it was serialized on the back covers. The Mandrake adventures serialized in the second series of Ateş are 'Gizli Oyun Yeri [The Secret Game Place]', the 2nd daily strip continuity from its original run, where Mandrake meets his future-lover Narda, 'Kızıl Geçitteki Dev [The Giant At The Red Pass]', the 3rd daily strip continuity, and 'Kurtadam [The Werewolf]', the 5th daily strip continuity. For some reason, Ateş had skipped the 4th daily strip continuity where Mandrake meets the Clay Camel, who would be one of the recurrant villains, and is also temporarily re-united with Narda.
Following Ateş, Mandrake's next appearance in Turkey would be in Türkiye Yayınevi's full-fledged comics weekly 1001 Roman, but that will be covered in the next post in this blog.

Thursday, October 7, 2010

TARZAN COMICS IN TURKEY IN THE WARTIME ERA (AND BEYOND)



The serialization of Tarzan comics in b&w in Ülkü's children's weekly magazine Afacan, where comics of E.R.Burrough's jungle hero had made their Turkish debut in 1935, had ceased in 1939. Meanwhile, rival publisher Tahsin Demiray's Türkiye Yayınevi had began to publish the weekly 1001 Roman which allocated the majority of its pages to comics. With no. 78 (dated Dec. 30th, 1940), 'Tarzan' began to be serialized in color on the covers of this magazine, marking the color debut of Tarzan comics in Turkey. 1001 Roman started its run of Tarzan with an adventure where Tarzan encounters a Chinese colony which had been serialized as a Sunday newspaper continuity by Burne Hogarth in 1938-39 in the US. In addition, one issue of the monthly 'special issue' series of 1001 Roman also featured a Tarzan comics credited to the Turkish artist Ekrem Dülek (covered in the below post in this blog from Sept. 26). 'Tarzan' continued to be serialized on the covers of the weekly edition of 1001Roman without any breaks until the magazine folded in 1946.
Post-script - Brief overview of Tarzan comics in Turkey after the war:
In the post-war era, poorly traced Tarzan comics appeared in several Turkish magazines, an early example being 'Tarzan' serialized in Çocuk Alemi in 1948. The proper reprints of US Tarzan Sunday newspaper comics were ran in the supplement of Vatan newspaper in 1951.
The first Turkish comics magazine headlining Burrough's jungle hero would be the short-lived Tarzan published by Nihat Özcan in 1951. However, the longer-running Tarzan comics magazine from the late 1960s as well as its follow-up Süper Tarzan from the 1970s and 1980s would actually feature the Italian Tarzan-clone comics Akim! In similar vein, the 'Tarzan' photo-strip serialized in Yeni 1001 Roman in the late 1960s is actually Italian Tarzan clone photo-strip Antar. Meanwhile, the 'real' Tarzan comics would be serialized in children's magazines Doğan Kardeş with occasional breaks between 1967-77 and in Milliyet Çocuk in the 1980s.
It should also be noted that two parody-comics of Tarzan would be made in Turkey as well: 'Tarzan Eski Dünyalarda' [Tarzan In Ancient Worlds] scripted by Bülent Oran and illustrated by Suat Yalaz, serialized in satire/humour magazine Dolmuş in 1957 and the hugely popular 'Tarzan', later retitled as 'Tarzan ve Arap Kadri' [Tarzan and Kadri the Arab], serialized in Fırt from 1976 onwards.

Sunday, October 25, 2009

THE LEGENDARY 1001 ROMAN


Türkiye Yayınevi's (Türkiye Publishing House) 1001 Roman weekly is a legendary title in the history of comics publications in Turkey. It was highly popular, very influential and is still fondly remembered by older generations. For instance, in a recent poll on living Turkish authors, many cited it among the top of their childhood favorites. And for the new generation of comics fans, it radiates a magnetism so powerful as to make them nostalgic for an era they have missed.
Türkiye Yayınevi's founder and owner Tahsin Demiray was actually a quite shadowy figure. Self-confessed to working for the secret intelligence service spying on Communists in Turkey in the early 1920s, he would be involved with right-wing politics in his later life (*). He is said to have built his fortunes by receiving the monopoly of publishing alphabet material from the government in the late 1920s, quite a big business in Turkey in those years as the Arabic script was banned and the Latin script made obligatory as part of westernization reforms.
In 1936, Demiray's Türkiye Yayınevi (whose locomotive publication would be the popular cinema magazine Yıldız) began publishing two children's magazines, Yavrutürk and Ateş, both of which featured some comics among their pages alongside stories, etc. While Yavrutürk, which appealed to a more juvenile readership, ran 'Kara Kedi' (Felix the Cat) continuities as well as 'Vakvak Kardeş' (Donald Duck) gags, Ateş's 1st series (1936-37) serialized Mandrake's first-ever adventure as well as some obscure comics; its 2nd series (1937-38) only featured Mandrake as comics material. On the other hand, 1001 Roman which began on 10.7.1939, less than two months prior to the outbreak of the 2nd World War!, devoted the majority of its pages, even including its front page, to comics. The stable of comics featured in 1001 Roman over the years includes 'Brik Bradford', 'Alptekin' (Buck Rogers), 'Sevim Gazeteci' (Connie), Mandrake, 'Kartal İzciler' (Eagle Scout Roy Powers), 'Maskeli Süvari' (Lone Ranger), 'Gizli Polis X-9', 'Yıldırım Polis' (King of the Royal Mounted), 'İki İzci' (Tim Tyler's Luck), 'Kızılmaske' (Phantom) and Tarzan. Beginning with 1940, Türkiye Yayınevi also began to publish monthly 'special issues' of 1001 Roman, each issue of which was devoted to a single character.
1001 Roman survived throughout the war years thanks to high sales, which was said to be in "tens of thousands", even though paper scarcity eventually necessitated a cutback in the number of pages. However, continuing economic hardships even after the war caused a cessation of 1001 Roman's publication in its original format after no. 350 in 1946, as well as the cancellation of the special issues after no.75 at the same time, with the promise of going back to more comics when possible. 1001 Roman's 2nd series included only neglible amount of comics. As promised, the 3rd series (1948-52) emerged in the original format. A novelty of the 3rd series was the introduction of romance comics, but another highlight was 'Nat Pinkerton' (Rip Kirby). The production techniques in 1001 Roman were various. It is not known if any of the comics were licensed or not; the magazine carried no copyright claims, so it can assumed that they were unlicensed. However, unlike the unlicensed comics of the 1950s and onwards, most were printed from originals, and not from traced copies even though some were, and increasingly more so over the years.The 3rd series ended in 1952 after no. 213. That year, Türkiye Yayınevi began to publish Haftalık Albüm (Weekly Album) similar to the format of 1001 Roman's monthly special issues from the war years. It lasted for about a year, after which Türkiye Yayınevi pulled back from comics publishing for several years.
(*) In 1952, Demiray took part in the foundation of Türkiye Köylü Partisi (Peasants' Party of Turkey) and became its secretary general. Upon the death of the party's chairman in a plane crash in 1954, Demiray became the party leader. However, the Peasants' Party couldn't gain a significant foothold in the Turkish politics and Demiray led the party into merger with another small party in 1958. In 1961, he took part in the foundation of Adalet Partisi (Justice Party) and was elected to the parliament on the party's ticket where he served a full term till 1965; he seems to have withdraw from politics after his term ended.